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	<title>National LGBT Museum</title>
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	<description>A campaign to support building a national LGBT museum.</description>
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		<title>Homosexuality and Sports Culture</title>
		<link>http://nationallgbtmuseum.org/homosexuality-and-sports-culture/</link>
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		<pubDate>Fri, 07 Jun 2013 17:01:54 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
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		<description><![CDATA[A historical look into how popular culture and the media have impacted sexual identity in sports over the last forty years. <a href="http://nationallgbtmuseum.org/homosexuality-and-sports-culture/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><img class="size-full wp-image-2018    alignleft" src="http://nationallgbtmuseum.org/wp-content/uploads/images.jpeg" alt="" width="168" height="194" /></p>
<p>In April 2013, the world of professional sports buzzed with the news that Jason Collins, center for the NBA’s Washington Wizards, came out as gay.  What makes Collins’s announcement most remarkable is the culture within it was made, a culture where the majority of Americans now support gay marriage for the first time in history, a nation led by the first president to publicly support gay marriage, and a popular culture growing more accustomed to not only watching, but relating, to openly gay characters in television and film. </p>
<p>However, how will Collins’s announcement affect the traditionally conservative world of sports, which is typically defined by traditional images of masculinity and virility?  The initial response from fellow athletes has proven overwhelmingly positive, as stars from Kobe Bryant to Steve Nash congratulated Collins on Twitter.  The Washington Wizards organization also showed its solidarity with Collins, stating that “we are extremely proud of Jason and support his decision to live his life proudly and openly.”  Indeed, the frequently outspoken Charles Barkley shared that he played with at least four gay players in his career, and reminded the public that athletes often know which teammates are gay, even if those teammates choose to keep their sexual orientation private from the media.</p>
<p>With the revelation of Jason Collins, the issue of homosexuality in sports is moving out of the locker room and onto the court.  Collins has inspired other gay athletes, such as professional soccer star Robbie Rogers, to play openly.  Rogers retired after the 2012 season, because he didn’t feel he “could be openly gay and play soccer simultaneously.”  Rogers also worried how his open sexuality would affect team dynamics, how the media would react to such an announcement, and whether he could perform at a high level amidst this potential controversy.  However, Rogers returned to the game after the positive public reaction to Jason Collins, and played his first professional game as an openly gay athlete in late May.</p>
<p>While the stories of Jason Collins and Robbie Rogers are courageous and deserve celebration, as journalist Allan Barra notes, the positive public reaction to their announcements “isn’t so much a breaker of barriers as much as an acknowledgement that the barriers have already been broken.”  To understand the place of these modern athletes in LGBT history, it is important to consider the gay athletes who came before them, and how popular culture and the media have impacted sexual identity in sports over the last forty years.</p>
<p>A discussion of sexual identity in sports since the 1970s must begin with the story of Glenn Burke.  Burke, a native Californian, entered Major League Baseball in 1976 as a centerfielder for the Los Angeles Dodgers.  His coaches were immediately impressed with his athletic skill and baseball intelligence, as one Dodger coach, Jim Gilliam, called him “the next Willie Mays.”  Described by his teammates as the soul of the clubhouse, Burke became known for quoting Richard Pryor routines and imitating Dodgers manager Tommy Lasorda, by waddling around the dugout with towels underneath his shirt.  Burke’s natural charisma led the Dodgers to occasionally use him as the public face of the team, having him attend official press events and meet young fans before ballgames.</p>
<p>However, Glenn Burke was different from his teammates in one important respect: he was gay.  Rumors began spreading around the Dodgers clubhouse when Burke began a close friendship with Tommy Lasorda, Jr., son of the Dodgers manager.  Teammate and friend Dusty Baker also noticed signs, such as when Burke always refused to go on dates with Baker’s female cousins.  While still a player, Burke made the courageous decision to declare his sexual identity to the media, and he knew this potential revelation would come as a surprise to his teammates: “I knew that when the other ballplayers found out I was gay they would go, ‘Glenn Burke, gay? I can’t believe it.’  I knew one day they would find out and it was going to be a shock to them.  I didn’t act the way they thought gay people act.”  Burke talked openly about his sexuality to reporters, but the press refused to print his admission.  As Burke later explained, “I think everyone just pretended not to hear me. It just wasn&#8217;t a story they were ready to hear.”    </p>
<p>Rumors of Burke’s homosexuality eventually reached Dodgers executives, and after the 1977 season, Team Vice President Al Campanis called Burke into his office. Campanis offered to pay $75,000 for a honeymoon if Burke would get married, describing it as a “helpful gesture” that the Dodgers front office frequently offered its players.  Recognizing it as a bribe immediately, Burke wryly responded, “I guess you mean to a woman.”  The following season, the Dodgers traded Burke to the Oakland Athletics for aging outfielder Billy North, whom many in the Dodgers organization agreed was an inferior player.  Campanis claimed to the press that the Dodgers desired a more experienced outfielder, but many of Burke’s teammates, including Dusty Baker, knew it was because of Burke’s sexual orientation, and the Dodgers’ fears of public backlash if the news ever became public.  As sportswriter Jon Mooallem noted, the Los Angeles press claimed the trade “sucked the life out of the Dodgers clubhouse” and a few of Burke’s former teammates cried at their lockers after hearing the news.</p>
<p>Knowledge of Burke’s homosexuality ruined his career once he reached Oakland.  His new manager, Billy Martin, referred to him as “the faggot,” and kept him on the bench.  Burke’s fellow Athletics even refused to shower with him.  After injuring his leg, the Athletics demoted Burke to the Minor Leagues, where he played 25 games before deciding to abruptly retire.  After his retirement, Burke came out in a 1982 <em>Inside Sports</em> Magazine article entitled The Double Life of a Gay Dodger, followed by an interview with Bryant Gumble on <em>Good Morning, America</em>.  However, his story received no further press coverage, and Major League Baseball Commissioner Bowie Kuhn did not release a statement in support of this revelation.  This is a stark contrast to the Jason Collins story, when NBA Commissioner David Stern immediately congratulated Collins on his openness and promised that the league stood behind him. </p>
<p>In his post-baseball career, Burke enjoyed success at the first ever Gay Games in 1982, winning medals in the 100 and 220-meter sprints.  Unfortunately, his life then entered a downward spiral.  After moving to the Castro district of San Francisco, Burke became addicted to cocaine, which led to a prison sentence for drug possession.  Later, Burke was forced to panhandle in order to pay for his drug habit and medical expenses, which he incurred after his right leg and foot were shattered by a car in 1987.  Burke contracted HIV in 1993 and died of the disease two years later at the age of 42, a talented baseball player denied the chance to play the game he loved because of his identity. </p>
<p>Despite his hardships, Burke died proud of the legacy he achieved as an LGBT American, even if those achievements were not widely known. In 1995, he told <em>People</em> Magazine, “My mission as a gay ballplayer was the breaking of a stereotype…I think it worked. They can&#8217;t ever say now that a gay man can&#8217;t play in the majors, because I&#8217;m a gay man and I made it.”  Indeed, <em>Atlantic</em> sportswriter Allan Barra has appropriately dubbed Burke the “Jackie Robinson” of the gay rights movement.</p>
<p>The media has frequently assisted in asserting a stereotypical view of masculinity, one which presents strength, toughness and athletic ability as the indicator of manhood.  Media coverage of athletes such as Glenn Burke suggest that homosexuality threatens traditional ideals of masculinity in the eyes of fans, while ignoring the fact that gay males can be just as masculine as their heterosexual counterparts.  A study by sociologist Raewyn Connell revealed that “men view televised sports as an extension of their world”, as televised sports provide social cues which men use to assert a classical &#8212; and often stereotypical &#8212; form of masculinity, which some men view as threatened when openly LGBT athletes enter into this extended world.</p>
<p>Other athletes besides Glenn Burke faced media scrutiny when knowledge of their sexual orientation became public, including tennis legends Billie Jean King and Martina Navratilova.  While playing on the professional tour in 1971, King, a heterosexual, began an affair with her secretary, Marilyn Burnett, who outed King after her retirement as part of a lawsuit.  Meanwhile, 24-year old Martina Navratilova defied the wishes of the World Tennis Association and came out to the media as a lesbian, becoming one of the first openly gay athletes while still competing.  The news media vilified both athletes: Navratilova was ridiculed for her masculine appearance, and one columnist titled her coverage of a match between Navratilova and Chris Evert as “Good Versus Evil,” with Martina clearly cast as the evil of the pair. </p>
<p>King and Navratilova also lost several lucrative endorsements and sponsorships, and Martina’s revelation made the World Tennis Association’s own sponsor, Avon, nervous.  As Adrianne Blue argues in the biography <em>Martina: The Life and Times of Martina Navratilova</em>, Avon’s commercial success depended upon the perceived femininity of the women they featured; a decidedly masculine, openly lesbian tennis star threatened that image.  The issue of endorsements further reveals a cultural shift in the acceptance of gay athletes since the 1970s, as many sports writers are hotly debating whether Jason Collins will <em>gain</em> endorsements because of his declaration.  With a buying power of $800 million, the LGBT community could be a prime target for advertisers who wish to feature Jason Collins endorsing their products.  However, as NPR’s Scott Neuman noted, the use of athletes to market to the LGBT community is a largely untested landscape, and the question remains whether companies will seek out Collins to endorse products marketed to other audience segments, especially straight males.</p>
<p>The life stories of King, Navratilova and other openly gay athletes reveal interesting differences between athletes in team sports and solo sports, and between male and female athletes.  As Jon Wertheim argued in a recent <em>Sports Illustrated</em> column, openly LGBT athletes in team sports face greater challenges than players of a solo sport such as tennis or golf.  Referring to Navratilova’s coming out, Wertheim observed that “she didn’t need to worry about being sabotaged by a homophobic coach.  She didn’t have to concern herself with team chemistry or locker-room dynamics.”  This allowed Martina to avoid the Glenn Burke scenario. </p>
<p>When considering issues of gender, female athletes face a much different set of challenges from men when issues of sexual identity arise.  These challenges are epitomized by the story of WNBA player Brittney Griner.  Griner, a lesbian, came out to her team while a player at Baylor University, and wished to make her sexual identity known to the public.  Griner alleges that Baylor coach Kim Mulkey discouraged her from publicly declaring her sexual identity, because of the effect it might have on recruiting athletes.  As <em>Forbes</em> noted, Baylor is a private Christian university in the middle of Texas, and Griner told the magazine <em>“<em>the coaches thought that if it seemed like they condoned [homosexuality], people wouldn’t let their kids come play for Baylor.”  </em></em><em></em></p>
<p><em>Unfortunately, Griner’s situation is not unique in college sports.  Another high profile case came out of Penn State, where women’s basketball coach Rene Portland cut some players from her team because she assumed they were lesbian, leading to a former player to file a 2005 lawsuit for discrimination.  Portland felt that the presence of lesbian players &#8212; or the perceived presence of lesbians &#8212; would adversely affect team chemistry and distract them from achieving their goals.  This “Don’t Ask, Don’t Tell” approach, similar to the official policy of the military from 1993 to 2011, is present in sports culture among teams and the media alike.  For sports teams, it supposedly maintains team cohesion, while at the same time allowing the sports media to promote traditional ideas of masculinity.  Will the strides made by Jason Collins, Robbie Rogers and Britney Griner lead to a breakdown of this cultural practice?  The coming years may provide revealing answers to these questions. </em></p>
<p>Griner finally declared her sexual identity just days after the Minnesota Lynx selected her as the first pick in the 2013 WNBA Draft.  Interestingly, her declaration came a few weeks before Jason Collins turned the sports world on its ear; however, Griner received little media attention after her announcement.  One possible explanation stems from the cultural stigma that has surrounded female athletes since before the days of Martina Navratilova.  The masculinity and physical toughness of female sports stars has been regarded by conservative social commentators as circumventing traditional gender norms.  As a result of this prevailing criticism, many female athletes have made announcements or written entire books in order to declare their <em>heterosexuality</em>. </p>
<p>When Griner came out as a lesbian, she seemed to affirm an assumption held by many in sports media about female athletes; however, when Collins came out of the closet, he circumvented traditional images of virility that surround male sports stars.  Indeed, his courage to make this announcement while still an active player makes this circumvention even more significant.  It took a male athlete, playing one of America’s four major team sports in the 21st Century, to begin a conversation about athletic sexual identity that should have been started when a humble Los Angeles outfielder told the press he was gay.</p>
<p>The reception of Jason Collins and Robbie Rogers illustrates a seismic shift in how the public and the media treat gay sports stars, while simultaneously revealing the distance our culture has yet to travel before openly gay athletes will be as commonplace as their straight teammates, and declarations of sexual identity will no longer produce a media firestorm.</p>
<p>Shortly before his death, Glenn Burke summed up his life and career this way:</p>
<p>“I don’t really feel bad about my life…I’m no better than nobody [sic] and never wanted to be.  I played sports and…made a name for myself. But it didn’t really matter to me.  Material things didn’t matter to me.  I just wish the world was a better place to live in.”</p>
<p>Twenty years later, let us hope Glenn thinks we’re getting there.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">_____</p>
<p style="text-align: center;"><span style="color: #333399;"><span style="color: #333399;"><a title="National LGBT Museum" href="http://www.nationallgbtmuseum.org" target="_blank">WWW.NATIONALLGBTMUSEUM.ORG</a></span></span></p>
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		<title>Allen Ginsberg: Beat Memories NYC to SF</title>
		<link>http://nationallgbtmuseum.org/allen-ginsberg/</link>
		<comments>http://nationallgbtmuseum.org/allen-ginsberg/#comments</comments>
		<pubDate>Thu, 11 Apr 2013 17:09:35 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
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		<guid isPermaLink="false">http://nationallgbtmuseum.org/?p=1899</guid>
		<description><![CDATA[Rebellion is going bicoastal.  A terrific exhibition Beat Memories: The Photographs of Allen Ginsberg, soon to close at New York University’s Grey Art Gallery, is coming to San Francisco May 23 to September 9. Don’t miss it. <a href="http://nationallgbtmuseum.org/allen-ginsberg/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Rebellion is going bicoastal.  A terrific exhibition <a href="http://www.nyu.edu/greyart/"><em>Beat Memories: The Photographs of Allen Ginsberg</em></a>, soon to close at New York University’s Grey Art Gallery, is coming to San Francisco May 23 to September 9. Don’t miss it.</p>
<p>In 1953, <a href="http://www.nga.gov/exhibitions/2010/ginsberg/index.shtm">Allen Ginsberg</a> picked up a $13 Kodak camera in a Bowery pawnshop and began taking photos of himself and his friends – Jack Kerouac, William S. Burroughs, and Gregory Corso. No one was famous yet. About thirty years later, Ginsberg found the snapshots, printed and enlarged the photos, and wrote down his memories of those days – people crashing at the flat, living on nothing, and trying to figure out one’s sexual identity.</p>
<p>Initially mounted by the National Gallery, this exhibit reminds us of how much cultural, sexual, and generational transformation was stimulated by a small group of Beat poets and writers on a few small blocks of the East Village in the early 1950s. The show is mandatory viewing for anyone unfamiliar with gay culture’s Beat ancestry.</p>
<p>It documents the very beginnings of young, broke, and ambitious talents committed to rebellion on their terms – publication of Allen Ginsberg’s <em>Howl </em>and creation of <em>Queer, </em>the novella that Burroughs wrote way back then, but not published until 1985. Ginsberg documents his first meeting with Peter Orlovsky, who became his lifelong companion, his “psychic marriage” with Burroughs in 1953, and his friendships with Larry Rivers and other art celebrities during the 1980s.</p>
<p>For this show’s New York run, NYU Grey Art Gallery interns developed a walking tour of East Village haunts, including sites of former gay bars and nightclubs. Download the PDF tour inside the <a href="http://www.nyu.edu/greyart/index.html"><em>Beat Memories</em> site</a> and walk the walk the next time you’re in New York.</p>
<p>If you can’t get to either show, poke through the online photos with Ginsberg’s commentary at either the <a href="http://www.nyu.edu/greyart/">Grey</a> or the <a href="http://www.nga.gov/exhibitions/2010/ginsberg/index.shtm">National Gallery</a> sites.</p>
<p>About the author:</p>
<p>Susan B writes an arts and culture blog, <a href="http://itsnewstoyou.me">ItsNewsToYou.me</a>, and contributes posts here about exhibitions around the US that prompt discussion relevant to the history and culture of the communities that the National LGBT Museum seeks to reach.</p>
<p>&nbsp;</p>
<p style="text-align: center;"> PLEASE VISIT OUR WEBSITE AT</p>
<p style="text-align: center;"><a title="National Museum of LGBT History and Culture" href="http://www.nationallgbtmuseum.org/" target="_blank">WWW.NATIONALLGBTMUSEUM.ORG</a></p>
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		<title>Gay Teen Transforms Junk into Art and Bears Witness to History</title>
		<link>http://nationallgbtmuseum.org/gay-teen-transforms-junk-into-art-and-bears-witness-to-history/</link>
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		<pubDate>Fri, 01 Mar 2013 21:51:26 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
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		<guid isPermaLink="false">http://nationallgbtmuseum.org/?p=1894</guid>
		<description><![CDATA[By contributing museum and cultural blogger, Susan B. <a href="http://nationallgbtmuseum.org/gay-teen-transforms-junk-into-art-and-bears-witness-to-history/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>As a young gay runaway in the 1960s, Thomas Lanigan-Schmidt decided that he just couldn’t take the taunts, lies, and bullying in suburban New Jersey anymore. He landed in New York City, looked at the trash littering the East Village streets where he roamed, and felt a strange attraction to the cellophane wrappers, fabric, and other dumpster treasures he found himself retrieving.</p>
<p>This is the jumping off point for the glittery gallery housing a major art retrospective at MoMA PS1 in Queens, New York: <a href="http://momaps1.org/exhibitions/view/363"><em>Thomas Lanigan-Schmidt: Tender Love Among the Junk</em></a><em>.</em></p>
<p><em></em>Like any other broke, emerging artist, Lanigan-Schmidt created from what he knew. From his years of Catholic schooling and altar-boy duty, it wasn’t a stretch to use his street stuff to create glimmering duplicates of chalices, patents, and other altar accouterments. Or to work in the occasional high-school or East Village gay-life reference.</p>
<p>Soon, dozens of precious tin-foil creations were filling his walls. Why not go for an entire transformation? He hung diaphanous painted veils, dressed in drag as a “Czarina Tatlina”, and began to offer tours of his <em>Gilded Summer Palace</em> to friends. Word of this trash-to-fantasy performance spread, and he soon had a group of fans, including downtown theater innovator <a href="http://www.donshewey.com/theater_articles/charles_ludlam_CITA.html">Charles Ludlam</a> and famed Metropolitan Museum curator <a href="http://www.downtownexpress.com/de_143/hecalleditart.html">Henry Geldzahler</a>.</p>
<p>By 1972, uber-dealer and star-maker Holly Solomon was selling his work in her gallery, giving him commissions, and encouraging him to do more.  Looking back on his transformation from taunted high-schooler to gallery artist, Lanigan-Schmidt says, “To survive, those on the bottom must transform these materials into one art form or another to express self-worth in a society that considers them almost worthless.”</p>
<p>It’s appropriate that PS1 houses this retrospective, since it occupies an old public school building. Indeed, it’s filled with a recreation of the Czarina’s <em>Gilded Summer Palace, </em>his <em>Sacristy of the Hamptons </em>(1969), famous gold-foil <em>Rats, </em>the wall-sized <em>Iconostasis</em> (a1978 work on loan from a German museum), <em>Daphne and Apollo in an American High School Play</em> (1989), and many old, inspirational workbooks from school days.</p>
<p>But perhaps the most important thing in this show is the historical context that Lanigan-Schmidt provides. As soon as you walk in the door, you are asked to take a copy of a piece of paper that says, “Please Xerox a few copies and give to friends.” It’s a copy of his 1989 essay <a href="http://curate.tumblr.com/post/136535194/1969-mother-stonewall-and-the-golden-rats-c">“1969 Mother Stonewall and the Golden Rats”,</a> his first-hand recollection of the night that made history – the night of the Stonewall raid. Feel free to reblog.</p>
<p>For a visit with Lanigan-Schmidt’s studio today, take a <a href="http://www.moma.org/explore/inside_out/2012/11/19/drag-queens-and-chalices-the-art-of-thomas-lanigan-schmidt">look at this MoMA video</a>. And check out images of his work (including the golden rats, saints, and embellished lasagna pans) via the <a href="http://www.pavelzoubok.com/node//696">Pavel Zoubok Gallery</a>.</p>
<p>The MoMA PS1 show continues in New York through April 1, 2013.</p>
<p><strong>________</strong></p>
<p>About the author:</p>
<p>Susan B writes an arts and culture blog, <a href="http://itsnewstoyou.me">ItsNewsToYou.me</a>, and will contribute posts about exhibitions around the US that prompt discussion relevant to the history and culture of the communities that the National LGBT Museum seeks to reach.</p>
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		<title>Sparkly Art in Brooklyn – Is It Fair to Call It “Queer Art”?</title>
		<link>http://nationallgbtmuseum.org/sparkly-art-in-brooklyn-%e2%80%93-is-it-fair-to-call-it-%e2%80%9cqueer-art%e2%80%9d/</link>
		<comments>http://nationallgbtmuseum.org/sparkly-art-in-brooklyn-%e2%80%93-is-it-fair-to-call-it-%e2%80%9cqueer-art%e2%80%9d/#comments</comments>
		<pubDate>Sat, 19 Jan 2013 17:00:37 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
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		<guid isPermaLink="false">http://nationallgbtmuseum.org/?p=1870</guid>
		<description><![CDATA[Sparkly Art in Brooklyn: A blog by museum contributor, Susan Bednarczyk. <a href="http://nationallgbtmuseum.org/sparkly-art-in-brooklyn-%e2%80%93-is-it-fair-to-call-it-%e2%80%9cqueer-art%e2%80%9d/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>There’s an impressive body of work lounging around the fourth floor of The Brooklyn Museum of Art in New York &#8212; <a href="http://www.brooklynmuseum.org/exhibitions/mickalene_thomas/">Mickalene Thomas: Origin of the Universe</a>, which initially debuted at the Santa Monica Museum of Art.</p>
<p>Thomas, who grew up in New Jersey, threw off a career in law to concentrate on making art that challenges certain assumptions of the traditional art establishment. She works on an aggressively large scale, pushes a riot of color and 1970s fabric patterns into the frame, and poses sometimes-clothed (sometimes not) <a href="http://www.brooklynmuseum.org/exhibitions/mickalene_thomas/#!lb_uri=sleep.php">African-American women</a> as if they were the “fallen” white women inhabiting the famous Modern art works of the 19<sup>th</sup> century.</p>
<p>So, right from the start, she’s putting African-American style and sass front and center and asking the viewer to contemplate why assertive Black women haven’t been the subject of “fine art” treatment before now. The fact that she adds sparkly rhinestones and glitter to all her works is an added poke in the eye to what makes a fine art work acceptable or not to the art establishment.</p>
<p>Thomas does not hide the fact that she’s a lesbian who is intrigued with the idea of promoting a more “masculine” beauty in her works. Why do all women in paintings have to be all flowery and feminine? Why can’t there be more <a href="http://www.brooklynmuseum.org/exhibitions/mickalene_thomas/">empowering female portraits</a>? Why can’t art help to transform marginalized women’s self image?</p>
<p>She answers the question directly in her works that use her own mother as the subject. Seeing the strong, attractive woman in her painting, you’d never know that her Mom started out addicted to drugs and alcohol. She got her life together, and her daughter’s portrait confirms it beautifully.</p>
<p>The video embedded here is a conversation between Thomas and art superstar Carrie Mae Weems about Thomas’s artistic journey and how Weems inspired her. In it, Thomas and Weems throw down another challenge – for art lovers and critics to avoid pigeonholing the assembled works as “queer art”, “Black art”, or “women’s art” but and simply see them as fine, monumental art they truly are &#8212; without the labels.</p>
<p>Although the Brooklyn show is closing, there’s still a chance to catch her works at the <a href="http://www.icaboston.org/exhibitions/exhibit/mickalene-thomas/">Institute of Contemporary Art in Boston</a> until April 7.</p>
<p style="text-align: center;"> _________</p>
<p>Susan Bednarczyk writes an arts and culture blog, <a href="http://itsnewstoyou.me">ItsNewsToYou.me</a>, and will contribute posts about exhibitions around the US that prompt discussion relevant to the history and culture of the communities that the National LGBT Museum seeks to reach.</p>
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		<title>Gay museum forms Maryland ‘B Corp’ to find site</title>
		<link>http://nationallgbtmuseum.org/gay-museum-forms-maryland-%e2%80%98b-corp%e2%80%99-to-find-site-2/</link>
		<comments>http://nationallgbtmuseum.org/gay-museum-forms-maryland-%e2%80%98b-corp%e2%80%99-to-find-site-2/#comments</comments>
		<pubDate>Sat, 08 Dec 2012 00:29:29 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
				<category><![CDATA[Foundation News]]></category>
		<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://nationallgbtmuseum.org/?p=1855</guid>
		<description><![CDATA[Washington Business Journal by Ben Fischer, Staff Reporter <a href="http://nationallgbtmuseum.org/gay-museum-forms-maryland-%e2%80%98b-corp%e2%80%99-to-find-site-2/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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<h4>Washington Business Journal by Ben Fischer, Staff Reporter</h4>
<p>Date: Friday, December 7, 2012, 6:00am EST</p>
<dl>
<dt><a href="http://www.bizjournals.com/washington/bio/91/Ben+Fischer" rel="author">Ben Fischer</a></dt>
<dd>Staff Reporter- <em>Washington Business Journal</em></dd>
<dd><a href="mailto:benfischer@bizjournals.com">Email</a>  | <a href="http://www.twitter.com/WashBizFischer" target="_blank">Twitter</a>  | <a href="http://www.linkedin.com/pub/ben-fischer/6/482/696" target="_blank">LinkedIn</a></dd>
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<p>&nbsp;</p>
<p>The group behind a proposed museum of gay and lesbian culture is using Maryland’s two-year-old “benefit LLC” law to jump-start its daunting development challenge.</p>
<p>The Velvet Foundation and its consultants recently created the Oliver-Grayson Holding Co. LLC to handle the proposed museum’s real estate search, a move museum management experts say is unprecedented.</p>
<p>The new company will act as a for-profit investment fund with the single purpose of finding, buying and operating an eventual permanent home for the museum somewhere in D.C. Organizers, who want to raise between $25 million and $40 million to buy a building, hope the move &#8230;</p>
<blockquote><p>Ben Fischer covers health care and law.</p>
</blockquote>
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<p><a href="http://www.bizjournals.com/#" rel="subscribeNow">To continue reading subscribe now</a></p>
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		<title>A POST FROM AFTER ELLEN (AE)</title>
		<link>http://nationallgbtmuseum.org/a-post-from-after-ellen/</link>
		<comments>http://nationallgbtmuseum.org/a-post-from-after-ellen/#comments</comments>
		<pubDate>Sat, 08 Dec 2012 00:10:18 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
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		<guid isPermaLink="false">http://nationallgbtmuseum.org/?p=1834</guid>
		<description><![CDATA["A Museum of Our Own" by Ali Davis <a href="http://nationallgbtmuseum.org/a-post-from-after-ellen/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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<div>Posted by <a href="http://www.afterellen.com/user/91804">Ali Davis</a> on December 5, 2012</div>
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<p>Touch up your old picket signs and laminate your big gay wedding invitations – a campaign to build a national LGBT museum is on the way.</p>
<p>As anyone who’s family knows, the LGBT community is woven throughout our country’s history – and through any country’s history – even if most textbooks and museums gloss over that fact. Now the non-profit Velvet Foundation is working towards helping our LGBT past get out and proud with a look at queer history in the United States.</p>
<p align="center"><em><img src="http://www.afterellen.com/sites/www.afterellen.com/files/2012/12/lgbtmusuem.jpg" alt="" /><br />Photo courtesy of the <a href="http://nationallgbtmuseum.org/#/home/" target="_blank">National LGBT Museum website</a></em></p>
<p>&nbsp;</p>
<p>So far it’s early stages yet, but the website looks promising. All too often in the media, “LGBT” gets shortcutted to “gay,” and that translates into images of (mostly white) gay men; the<a href="http://nationallgbtmuseum.org/#/home/" target="_blank">National LGBT Museum site</a> carefully features different genders and faces and promises a multicultural approach to our shared history.</p>
<p>In addition to being eye-poppingly cool (natch), the website has plans for the museum’s layout, a list of ways you can help the cause, and even handy <a href="http://nationallgbtmuseum.org/conservation-guidelines/" target="_blank">tips for preserving your own memorabilia</a>. And, of course, you can sign up to volunteer if you’re in the Washington, D.C. area or to donate if you’re not. (You may even be able to <a href="http://nationallgbtmuseum.org/#/donation/donate_an_object" target="_blank">donate your own museum-worthy bit of LGBT history</a> if you’re so inclined.)</p>
<p>Get your sensible-yet-chic museum-prowling shoes buffed up and keep your eyes peeled for the opening.</p>
<p>&nbsp;</p>
<p><a title="After Ellen" href="http://www.afterellen.com/content/2012/12/museum-our-own" target="_blank">Source: http://www.afterellen.com/content/2012/12/museum-our-own</a></p>
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		<title>Maryland &#8216;B&#8217; corp. formed to help site search for proposed gay heritage museum</title>
		<link>http://nationallgbtmuseum.org/maryland-b-corp-formed-to-help-site-search-for-proposed-gay-heritage-museum/</link>
		<comments>http://nationallgbtmuseum.org/maryland-b-corp-formed-to-help-site-search-for-proposed-gay-heritage-museum/#comments</comments>
		<pubDate>Fri, 07 Dec 2012 23:53:47 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
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		<description><![CDATA[Baltimore Sun: Group has sought permanent D.C. home since 2008 <a href="http://nationallgbtmuseum.org/maryland-b-corp-formed-to-help-site-search-for-proposed-gay-heritage-museum/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<div>By <a href="http://bio.tribune.com/LorraineMirabella">Lorraine Mirabella</a>, The Baltimore Sun
<p>5:30 p.m. EST, December 7, 2012</p>
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<p>Organizers of a proposed <a id="PLGEO100101200000000" title="Washington, DC" href="http://www.baltimoresun.com/topic/us/washington-dc-PLGEO100101200000000.topic">Washington, D.C.</a>, museum focused on lesbian, gay, bisexual and transgender heritage have formed a benefit limited liability corporation in Maryland that will work to find a museum site.</p>
<p>The Velvet Foundation, a nonprofit group that has been planning the museum and seeking a permanent home in D.C. since 2008, will be the beneficiary of the newly formed Oliver-Grayson Holding Co. Benefit LLC., organizers announced.</p>
<p>A Maryland law took effect in October 2010 allowing businesses to organize as &#8220;benefit corporations,&#8221; hybrids of for-profit and nonprofit models that aim for public benefits as well as profits.</p>
<p>Plans call for either acquiring or building a facility, said Gavin/Solmonese LLC, a financial advisory firm that is advising the museum planners and will help raise capital.</p>
<p>Organizers hope to raise between $25 million and $40 million to buy a building, the Washington Business Journal reported Friday. Commercial real estate firm Studley Inc. will help with the property search.</p>
<p>&#8220;Being the beneficiary of the Benefit LLC will enable us to attract investors who are not only committed to the museum but who are interested in the bottom line,&#8221; said Tim Gold, CEO of the Velvet Foundation, in a statement.</p>
<p>Maryland, the first state to authorize benefit corporations, is one of 12 states that have passed &#8220;B&#8221; corporation laws.</p>
<p>&#8220;It is vitally important to our community and to our country that the National LGBT Museum exists,&#8221; Joe Solmonese, managing director and founding partner of Gavin/Solmonese, and former president of the <a id="ORCIG00001553" title="Human Rights Campaign" href="http://www.baltimoresun.com/topic/politics/human-rights/gay-rights/human-rights-campaign-ORCIG00001553.topic">Human Rights Campaign</a>, said in a statement.</p>
<p><em><a href="mailto:lorraine.mirabella@baltsun.com">lorraine.mirabella@baltsun.com</a></em></p>
<ul>
<li><img src="http://www.baltimoresun.com/media/thumbnails/photo/2010-07/54973369-15125651.jpg" alt="" width="20" height="20" /> <a href="http://www.baltimoresun.com/services/alerts/">Text BUSINESS to 70701 to get Baltimore Sun Business text alerts</a></li>
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		<title>NATIONAL ROUNDUP: Special to the online edition of Windy City Times</title>
		<link>http://nationallgbtmuseum.org/national-roundup-special-to-the-online-edition-of-windy-city-times/</link>
		<comments>http://nationallgbtmuseum.org/national-roundup-special-to-the-online-edition-of-windy-city-times/#comments</comments>
		<pubDate>Fri, 07 Dec 2012 23:51:15 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
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		<description><![CDATA[NATIONAL ROUNDUP: Special to the online edition of Windy City Times
by Andrew Davis, Windy City Times
2012-11-28 <a href="http://nationallgbtmuseum.org/national-roundup-special-to-the-online-edition-of-windy-city-times/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p> By Andrew Davis, Windy City Times </p>
<p><em>2012-11-28</em></p>
<p>Gavin/Solmonese LLC, a corporate financial advisory and public affairs consulting firm, announced that the Velvet Foundation—the non-profit organization behind the National LGBT Museum in Washington, D.C.—is the beneficiary of the newly established Oliver-Grayson Holding Company, Benefit LLC. Joe Solmonese—managing director and founding partner of Gavin/Solmonese, and former president of the Human Rights Campaign—said, &#8220;It is vitally important to our community and to our country that the National LGBT Museum exists. Its mission is one step closer to being achieved thanks to the tireless work of the Museum team.&#8221;</p>
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		<title>Newly Formed Benefit LLC to Support Permanent Home for National LGBT Museum in Washington, D.C.</title>
		<link>http://nationallgbtmuseum.org/newly-formed-benefit-llc-to-support-permanent-home-for-national-lgbt-museum-in-washington-d-c/</link>
		<comments>http://nationallgbtmuseum.org/newly-formed-benefit-llc-to-support-permanent-home-for-national-lgbt-museum-in-washington-d-c/#comments</comments>
		<pubDate>Fri, 07 Dec 2012 23:47:45 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
				<category><![CDATA[Foundation News]]></category>
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		<guid isPermaLink="false">http://nationallgbtmuseum.org/?p=1804</guid>
		<description><![CDATA[Example of a For-Profit Company Dedicated Specifically To Creating a Social Benefit; Gavin/Solmonese Engaged as Stewards of Project <a href="http://nationallgbtmuseum.org/newly-formed-benefit-llc-to-support-permanent-home-for-national-lgbt-museum-in-washington-d-c/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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<p id="columnname">PRESS RELEASE</p>
<p id="lastupdate">Nov. 27, 2012, 1:44 p.m. EST</p>
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<p>&nbsp;</p>
<p id="">WASHINGTON, Nov 27, 2012 (BUSINESS WIRE) &#8212; Gavin/Solmonese LLC, one of the nation&#8217;s leading corporate financial advisory and public affairs consulting firms, is pleased to announce that the Velvet Foundation, the non-profit organization behind the National LGBT Museum in Washington, DC, is the beneficiary of the newly established Oliver-Grayson Holding Company, Benefit LLC (&#8220;Oliver-Grayson&#8221;). The Benefit LLC and the Benefit Corporation are relatively new types of companies that allow social entrepreneurs to codify their social impact missions in their corporate charters &#8211; using the power of business to create an independently measurable public benefit. The structure provides a new opportunity for nonprofits to consider innovative ways to undertake significant projects &#8211; in this case, with the Museum ultimately being housed in a facility acquired or built specifically for its use.</p>
<p id="">Oliver-Grayson is a for-profit benefit limited liability company (&#8220;Benefit LLC&#8221;) dedicated to creating a material positive impact on society, as well as generating a profit for its shareholders and investors. It will create its public benefit by supporting the mission of the Museum, and ultimately, providing the Museum with its permanent home. The National LGBT Museum opens new doors of learning and understanding by bringing the LGBT experience into the forefront and out onto the museum floor.</p>
<p id="">Joe Solmonese, Managing Director and Founding Partner of Gavin/Solmonese, and former President of the Human Rights Campaign, notes, &#8220;It is vitally important to our community and to our country that the National LGBT Museum exists. Its mission is one step closer to being achieved thanks to the tireless work of the Museum team.&#8221;</p>
<p id="">Gavin/Solmonese has been engaged as the fiduciary advisor for the project and will assist in raising capital as well as serving as steward of the funds until the building is acquired. Ted Gavin, CTP, Managing Director and Founding Partner of Gavin/Solmonese, was named to the board of the Velvet Foundation, and has been elected chairperson of the Board of Oliver-Grayson. As board chair, Ted is responsible for advising in the project&#8217;s development, the recruiting of additional board members, and oversight of the project&#8217;s documentation and capital-raising processes.</p>
<p id="">&#8220;Establishing a permanent home in our nation&#8217;s capital for the National LGBT Museum has been a goal of the Foundation since its inception in 2008. During that time, through the work of myriad activist and social organizations throughout the country, the voice, force and momentum of the LGBT community has grown,&#8221; noted Tim Gold, chief executive officer of the Velvet Foundation. &#8220;Being the beneficiary of the Benefit LLC will enable us to attract investors who are not only committed to the Museum, but who are interested in the bottom line.&#8221;</p>
<p id="">Oliver-Grayson Holding Company &#8211; the Benefit LLC</p>
<p id="">A Benefit Corporation, or Benefit LLC, is a new kind of for-profit company that is dedicated to making a profit for its investors and at the same time creating a material positive impact on society. Oliver-Grayson Holding Company ( www.oliver-grayson.com ) is the first Benefit Corporation or Benefit LLC engaging in real estate investing that has created a formal relationship with a specific 501(c)(3) beneficiary. This innovative structure stands to change the face of investing and philanthropic fundraising. With this ground-breaking structure, Oliver-Grayson Holding Company has expanded the opportunities for investors to deploy their capital &#8211; not just their philanthropic dollars &#8211; to create a positive impact on society.</p>
<p id="">Maryland, where Oliver-Grayson is organized, became the first state to authorize creation of Benefit Corporations in 2010. Maryland is presently one of 12 states that have passed Benefit Corporation legislation. Laura E. Jordan, Esq., of The Capital Law Firm in Washington, DC, a key early proponent behind Benefit Corporation legislation in several states, advises Oliver-Grayson in this process. Oliver-Grayson is being represented in its property search by the pioneering commercial real-estate firm Studley, Inc. through the firm&#8217;s Washington, DC office.</p>
<p id="">According to Ted Gavin, Oliver-Grayson Holding Company Chairman, &#8220;The Benefit LLC&#8217;s association with the Museum provides a way for those who are interested in the bottom line to contribute financially &#8211; and their investment also has a tangible, positive effect on their community through the Museum itself.&#8221;</p>
<p id="">&#8220;For example, as we work towards acquisition of the right real estate in the District of Columbia where the Museum&#8217;s permanent home will be built, we can offer supporters a choice &#8211; they can donate tax-deductible funds designated for the building&#8217;s purchase to the Museum directly, or they can be investors in the Benefit LLC and have all the rights and benefits of a shareholder of the building&#8217;s landlord. Housing a significant non-profit entity in a for-profit building, while not compromising the profit motive and while also creating a public benefit &#8211; it&#8217;s a win-win for everyone that is also scalable to other non-profit organizations seeking innovative ways of achieving large-scale projects,&#8221; said Gavin.</p>
<p id="">About the National LGBT Museum (NLGBTM)</p>
<p id="">The NLGBTM is dedicated to sharing the heritage of LGBT people, a story that unites millions of women and men but is rarely represented in mainstream museums. Developed and sustained by the Velvet Foundation, a 501(c)(3) non-profit organization, the Museum will be permanently located in the District of Columbia, where the LGBT story can most effectively reach a national and international audience. The Museum recognizes and presents the stories of the LGBT communities as a part of&#8211;not apart from&#8211;the American experience, where the intersections of diverse cultures, shared by diverse people, define Americans as individuals and as a nation. The Museum is online at www.nationallgbtmuseum.org .</p>
<p id="">About Gavin/Solmonese</p>
<p id="">Whether it&#8217;s protecting a company or its creditors from failure, deploying new leadership, or reversing antiquated thinking, Gavin/Solmonese leads companies to measurable bottom line improvement. Named one of the country&#8217;s Outstanding Turnaround Firms by Turnarounds &amp; Workouts for 17 years, the Gavin/Solmonese Corporate Restructuring Group (formerly NHB Advisors) provides leadership for underperforming and troubled companies and their stakeholders, helping businesses maximize value for owners, investors, creditors and employees. The Gavin/Solmonese Corporate Engagement &amp; Public Affairs Group leads organizations through critical strategic thinking and tactical planning, creating better connections with consumers, decision makers and the media, resulting in market share growth and higher profitability. For more information, visit www.gavinsolmonese.com .</p>
<p id="">SOURCE: Gavin/Solmonese LLC</p>
<pre>
        Gavin/Solmonese
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        The Star Group
        Carol Lunger, 610-574-0576
        clunger@stargroup1.com
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		<title>Washington Post &#8211; D.C. area business diary for week of Dec. 3</title>
		<link>http://nationallgbtmuseum.org/washington-post-d-c-area-business-diary-for-week-of-dec-3/</link>
		<comments>http://nationallgbtmuseum.org/washington-post-d-c-area-business-diary-for-week-of-dec-3/#comments</comments>
		<pubDate>Fri, 07 Dec 2012 23:44:37 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
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		<description><![CDATA[District-based corporate financial advisory and public affairs consulting firm Gavin/Solmonese said it has formed a benefit company, Oliver-Grayson Holding Co. <a href="http://nationallgbtmuseum.org/washington-post-d-c-area-business-diary-for-week-of-dec-3/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<h1>D.C. area business diary for week of Dec. 3</h1>
<div>By Shawn Selby,December 02, 2012</div>
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<p><strong>Nonprofits</strong></p>
<p>District-based corporate financial advisory and public affairs consulting firm <strong>Gavin/Solmonese</strong> said it has formed a benefit company, <strong>Oliver-Grayson Holding Co. </strong>The District-based <strong>Velvet Foundation</strong>, which is working to create the <strong>National LGBT Museum</strong>, has been chosen as the beneficiary of the new company.</p>
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